Visiting the Gallo-Roman Performance Venue at Cassinomagus in the Charente Department (France) with Savvy Mom Ruth Paget

Visiting the Gallo-Roman Performance Venue at Cassinomagus in the Charente Department (France) with Savvy Mom Ruth Paget

My husband Laurent and I visited the village of Chassenon in the Limousin, which marks the beginning of the south of France.  You can easily detect if you are in the south of France by looking at the roof tiles; those in the south of France have orange half-circle roof tiles.

At the end of our route through highways and county roads, we crossed into the Charente département where we found Chassenon.  Outside this village, you can find the Cassinomagus Gallo-Roman archaeological site, dating around 200 C.E.  The French often vex Italians by telling them that their country has just as many archaeological sites as Italy. The French also compete with the Italians to turn these sites into venues for concerts, theatrical works, lectures, and workshops in addition to guided tours. 

So far the Cassinomagus excavations have brought to light baths on three levels, a large temple, 49 water channels, two small temples, one theater, and an aqueduct according to the informative brochure from the visitor’s center.  If you can understand French, you can download this brochure from their website (www.cassinomagus.fr).  Suspended boardwalks allow you to walk above the baths under a roof.  You can visit the rest of the site on foot. 

Cassinomagus is a prime example of French cultural tourism with English tours now being offered in the summer.  The visitor’s brochure, though, lists many examples of how to make an archaeological site part  of the intellectual life of a community as well as a site for relaxation, cultural activities, workshops for children, and cultural activities.  I have chosen several of the activities at Cassinomagus for the 2012 year in its French-language visitor’s brochure as suggestions for making local historical sites a sought after place to visit no matter where one lives.

Cultural tourism as Cassinomagus begins with highlighting a monthly storytelling series.  The stories in French deal with how one becomes a storyteller, stories of fairies and pixies, creation myths where women play a leading role, Greek and Roman myths such as Eros and Psyche, Indo-European sun god myths, and a play for children focusing on medieval and traditional stories about the wolf, the fox, and the weasel.

There is a wrestling (lutte Gréco-Romain) club for children and adults.  A Roman garden has been created on the site called the Gardens of Pliny the Elder (25 – 79 C.E.).  Pliny wrote all the documentation that made it possible to recreate Roman gardens.  The visitor’s guide to Cassinomagus says that there are plants here for medicine, aromatics, decoration, utilitarian purposes such as dyes and fabrics, foods, and perfume-making in the Roman garden.  

In addition, there are treasure hunt nights for a mystery object, dress balls, permanent and temporary exhibits, guided visits, conferences with archaeologists on European Patrimony Day and National Archaeology Day.

Lectures at the Cassinomagus site for 2012 include “Math of the Gaules,” “Roman Life at Banquets,” “Photographic Tours in Roamn Gaul,” “Horticulture or the Romanization of Gaul by Plants,” and “Ancient Complexes in the Massif Central of France.”  There are philosophical cocktail hours where visitors can discuss topics such as “Political Power and the Control of the Electorate.”  Children’s workshops include learning how to carry out an archaeological dig, ancient games, wrestling, and arts and crafts of the Gallo-Roman world.  Schools are welcome for visits to the site as well.

Big events include National Archaeology Day with films and archaeologists, Star Gazing Nights with a local astronomy club complete with a buffet, family days at the site, and the Friends group holding a meeting where professions related to antiquity are discussed according to the visitor’s brochure. 

The Gallo-Roman theatre is in constant use as well and provides entertainment such as comedians, classical music, new music concept shows such as OVNI (Observance Viellistique Non Identifiée), theatre featuring French classics with a twist such as presenting them as street theatre, dance programs and jazz according to the visitor’s brochure.

I imagine tickets are in short supply for the Cassinomagus shows and the lectures and clubs must be well attended.  The site is outside the small village of Chassenon and somewhat difficult to find the first time.  Chassenon, however, benefits from the cultural offerings of a much larger town and probably has many regional tourists come to Cassinomagus archaeological site.

Not every country has Gallo-Roman ruins in the fields, but every culture has elements that could be used to teach tourists about the history and geography that make their culture unique and interesting.  Cassinomagus provides numerous examples of how to organize a site for cultural tourism.

By Ruth Paget, Author of Eating Soup with Chopsticks and Marrying France

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Visiting a 19th Century French One-Room Schoolhouse in the Limousin with Savvy Mom Ruth Paget

Visiting a 19th Century French One-Room Schoolhouse in the Limousin with Savvy Mom Ruth Paget - Ruth Pennington Paget

My husband Laurent and I went to the small village of Montrol- Sénard to start a trip around France.  The village has made its downtown into a small museum.  Cars from Belgium, Germany, and France filled the downtown of this smart initiative to create an educational touristic center with limited funds.  The visit with a map is free, but donations are accepted.

Laurent and I loved the one-room school house from the nineteenth century.  Geometric and 3-D mechanical drawings and maps covered the walls.  The maps were colored yellow with age and included Algeria as a French département, or state.

The math problems on the chalkboard were all word problems.  For younger students, there were little balls strung on a stand-up wire frame to teach number sense.  The old desks were there with a spot for an inkwell.  You were allowed to sit at the desks and write.  One father was working on the math word problem with his son.  I liked all the old textbooks and snakes preserved in jars with formaldehyde for biology class.

At the blacksmith’s shop, we looked at old tools and an exposition about people from the village.  There were two restaurants in town with one advertising “animation” and paella on a Sunday night.Laurent’s relatives who told us about Montrol-Sénard said the mayor wanted to create a village “d’autrefois” or old-time village.  In addition, he has had the village take part in the “villages fleuries” program.  

This program rewards villages and towns that make themselves beautiful with flowers.  Using a little imagination, you can make even the smallest of towns a happening place to be.

I am sure that parents come back to Montrol-Sénard to show their children where their great-grandparents went to school and am thankful that the community welcomes tourists as well.

My souvenir of the village is the level of drawing expected of students.  This skill might have been a necessary one for drawing what kinds of tools farmers wanted a blacksmith to make or create, for example.

By Ruth Paget, Author of Eating Soup with Chopsticks and Marrying France

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Touring the Alsatian Wine Road and Riquewihr (France) with Savvy Mom Ruth Paget

Touring the Alsatian Wine Road and Riquewihr (France) with Savvy Mom Ruth Paget

The Alsatian Wine Road (Route des Vins) offers many interesting stops to visit – rain or shine.  The only problem is that the towns along the way are so adorable that you could stop and never make it to the next town.

Driving through the Alsatian wine towns is hazardous, though.  Some towns like Bergheim require driving through a one-way lane arch with two-way traffic. The roads in the towns are almost pedestrian-only thoroughfares with enticing restaurants on either side of the road.

The weekend we visited men in checked shirts drove horse-drawn carriages and wore straw hats with brims.  They were working on Saturday, so they had the right of way as far as we were concerned. We enjoyed driving through the towns of Molsheim and Bergheim, but cut over to D1422 to make a faster route to Salestat, where we were also able to drive through vineyards.

Alsace like Burgundy is very religious.  Roadside shrines with a crucifix in them had bouquets of flowers on either side of the shrine.  These shrines stand by vineyards where workers of all levels pray for the harvest, give thanks, and maybe pray for assistance I would imagine. In Burgundy, these roadside shrines are hidden on back roads away from major roads.  In Alsace, I noted that the shrines are right on the major roads.

The flowers at the vineyard shrines probably serve the purpose of showing if there is mildew or harmful insects in the vineyards.  Delicate flowers show damage before grapes.  Flowers planted at the end of vineyard rows also serve this purpose.

When we arrived in the town of Riquewihr, we took many pictures of the half-timbered houses sitting at angles on crooked, narrow lanes where even a small car could not fit.  The houses date back to the fifteenth through eighteenth centuries.  Riquewihr is famous for its Riesling wine.

We ate at a restaurant in one of the half-timbered houses called “Au Relais des Moines,” which I loosely translate as “The Monk’s Stop.” Laurent and I both had dishes with forest touches.  Laurent had a steak with wild mushroom sauce with thick French fries.  I had médaillons de faon forestière with homemade tagliatelle.  Forestière refers to the cèpes mushrooms used in the creamy sauce.  Faon refers to the meat from a young female deer.  I ate a crème brulée for dessert while Laurent had coffee.

After lunch, we walked around Riquewihr’s defensive wall dating back to the thirteenth century.  Riquewihr is about one hour away from Strasbourg and beckons visitors to come back for food, walks, and beautiful Jacquard tablecloths as souvenirs.

By Ruth Paget - Author of Eating Soup with Chopsticks and Marrying France

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Laurent Paget Photography

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Viewing the Issenheim Altarpiece by Gruenwald in Colmar (Alsace, France) by Savvy Mom Ruth Paget

Viewing the Issenheim Altarpiece by Gruenwald in Colmar (Alsace, France)  with Savvy Mom Ruth Paget

Since we lived in southwestern Germany, getting to Alsace in eastern France was a day-trip away from our home.  Colmar with its Petite Venise (Little Venice) series of canals and the Unterlinden Museum merit several visits to this town of half-timbered homes on crooked, medieval streets.

Alsace has been French or German for centuries according to French governments or German ones; the Alsatians would most probably say, “We are our own people.” However, I think in this century, at least, that Alsace is very French for several reasons.

Citizens in Colmar have an almost Parisian gait to their wiry bodies.  The women’s fashion on the street looks like classic Chanel with colored silk scarves at the throat.  Perfume wafts through the air to complete “the look” that one puts on to be seen as one goes about one’s business.

Houses in Alsace have a well-trimmed abundance of flowers that accentuate the rectangular window frames, which makes me think they are competing in the French “Villages Fleuries” program.  This program names a village or town that makes itself the most beautiful with flowers every year.

Restaurants in Alsace also expect you to wait to be seated as in France.  In Germany, restaurant customers can sit down where they want as long as they do not sit at the stammtisch (owner’s table).  French is spoken by everyone in Colmar, including the German tourists it seems.

There are busloads of tourists from all countries, who come to Colmar to visit the Unterlinden Museum.  Unterlinden means “under the linden trees,” and there are linden trees all around the museum.  The Unterlinden Museum houses the Issenheim Altarpiece, one of the greatest works of German art painted by Matthias Grünewald (ca. 1475/1480 – 1528) and sculpted by Nicholas de Haguenau (1485 – 1526/1538) between the years 1512 and 1516.

The Issenheim Altarpiece is not a joyful artwork, but rather one of Christ’s empathy for sufferers of what was called Saint Anthony’s Disease; the Issenheim Altarpiece offers hope for salvation from suffering on earth.  Saint Anthony’s Disease was caused by fungus on rye used in bread baking.  

According to the Musée d’Unterlinden Colmar in the Connaissances des Arts series, the church’s liturgical calendar determines the showing of the three collection of paintings of the Issenheim Altarpiece.  There are nine scenes that deal with the life of the Egyptian hermit Saint Anthony, scenes from the life of Saint Mary, and the Crucifixion.

In the scene of the Temptation of Saint Anthony Grünewald’s monster’s have ugly, tortured faces and gnarled hands.  They look joyful, though, as if they were hazing new recruits to a sinister fraternity.

Today the altar piece has been separated and hung in a former chapel of a thirteenth century Dominican convent.

Other galleries occupy the former convent’s rooms.  The wood carving of the Haut-Rhenan School from the Middle Ages on display is life-like and deeply carved into the wood.  A roomful of long-haired, blond Madonnas sculpted in wood shows them gazing towards their son with gentle curves at the hip to hold a baby.  Wood sculpture on altars shows flowers almost blooming out of their background, because they are carved in such high relief.

The Canals of the Petite Venise run in front of the Unterlinden Museum and restaurants.  The day we visited it was raining, so Laurent and I did not do our traditional assessment of every restaurant menu in town before deciding on one.

Fortunately, our choice of a restaurant turned out to be a welcoming place with excellent food named Pfeffel.  I immediately liked the soft, red and white tablecloths and linen napkins.  The restaurant was located inside a medieval, half-timbered house with wood beams running across the ceiling.

I ate pork medallions in cream sauce followed by a good slice of Muenster cheese rolled in caraway seeds.  The caraway seeds improved the flavor and downplayed the scent somewhat.  The meal was a marvelous finish to a wonderful outing in Colmar.

By Ruth Paget, Author of Eating Soup with Chopsticks and Marrying France

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Visiting France's Most Exclusive Winery - the Clos de Vougeot with Savvy Mom Ruth Paget

Visiting France's Most Exclusive Winery - the Clos de Vougeot in Burgundy with Savvy Mom Ruth Paget 

Up bright and early the next day, we set out along the Canal du Centre and, then, followed the “Route des Grandes Crus.”  In English, this should be translated as “The Route of the Prestigious Wines.”  However, we tend to make French more democratic in American English and call this “The Wine Road.”

 

The Burgundian Route of Prestigious Wines follows what is called the Côte d’Or (the Gold Coast).  The Côte d’Or is made up of two sections.  The section under Beaune is called the Côte de Beaune.  Mostly white wines such as Meursault and Chassagne-Montrachet are grown here.  The white wines of the Côte de Beaune come from Chardonnay grapes.

The section of the Côte d’Or between Beaune and Dijon is called the Côte de Nuits.  Only red wines such as Gevrey-Chambertin and Vougeot are grown along the Côte de Nuits.  The soil and climate here are better suited for pinot noir grapes.

Our destination that morning was the Clos de Vougeot, which produces the world’s most exclusive red wine along the Côte de Nuits.  It is also the site of a banquet held for the “Trois Glorieuses” in November.  We took pictures of the banquet hall and danced a bit in the adjacent bar before returning to our tour of the Clos.

What is interesting about Clos de Vougeot is that it was a Cistercian Abbey and continues its saintly vocation with photographs throughout the Clos showing Cistercian monks praying.  One of the three wooden wine presses was also set up for mass during our visit.

The Cistercian Order also received donations of lands and homes, but they differed from the monks at Cluny.  The Cistercian Order was created by monks, who wanted to return to the simplicity and poverty espoused by Saint Benedict.  The first Cistercian Abbey was set up in 1098 at Cîteaux, which is several kilometers away from Clos de Vougeot.  Time precluded us from visiting the site as the end of the weekend neared.

We took photos of the vineyards and set out for home, happy with our Burgundian weekend.

By Ruth Paget, Author of Eating Soup with Chopsticks and Marrying France

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Visiting the Middle Ages Powerhouse Abbey at Cluny in Burgundy with Savvy Mom Ruth Paget

Visiting the Middle Ages Powerhouse Abbey at Cluny in Burgundy with Savvy Mom Ruth Paget

After our visit to the Hospices de Beaune, my husband Laurent and I visited what remains of Cluny Abbey.  The Abbey was closed in 1790 as a result of the French Revolution and was later dismantled from 1798 to 1823.  Only one tower and transept, or arm that crosses the nave, remain.  Before Saint Peter’s Basilica was built in Rome, Cluny Abbey was the largest building in Christendom.

According to the Catholic Encyclopedia (http://www.newadvent.org/cathen/04073a.htm), the Cluny Abbey complex covered twenty-five acres total and the church itself measured 555 feet in length.  Our Michelin touring guide also noted that there were five naves across in the church, two transepts, five bells, two towers, and 301 windows before it was destroyed.

At the founding of Cluny Abbey in 910 C.E. by William, Duke of Aquitaine, the monks followed the Rule of Saint Benedict, which stipulates that poverty is a requirement for monastic life. The only way rich nobles could enter into the life of Cluny Abbey was to donate their land and riches to the abbey.This donation impoverished the monks in theory, but made Cluny Abbey wealthy.  Over time, the enormous wealth of Cluny Abbey made it easy to forgo the Rule of Saint Benedict and allowed the name of Cluny to become associated with excess and ostentation.

Cluny Abbey also deviated from the Rule of Saint Benedict by centralizing control over subsidiary monasteries.  The Abbot of Cluny was answerable to the pope only and had 314 houses under his direct control in the twelfth century and 825 in the fifteenth century according to the Catholic Encyclopedia.  Cluny’s huge library and its researchers made it an intellectual and artistic center hors pair as well.

The grandeur and power of Cluny expressed itself in its architecture even in what remains of it.  The Cluny Museum harbors the surviving tower of the Cluny Abbey complex.  Inside this tower, the columns supporting the barrel vaults go straight up without a triforium or clerestory windows to break up the view.  The result is that viewers may feel dwarfed and perhaps disoriented by what feels like a ninety-foot look up to the ceiling.

Outside the tower reflects the earthbound interests of Cluny Abbey as well.   The tower has a square base with each corner line meeting at an arid point without any decoration or ornament.   You do not want to dwell on celestial concerns when you look at this tower; earthly concerns at this intellectual center would have seemed to be more enticing.

By Ruth Paget, Author of Eating Soup with Chopsticks and Marrying France

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Visiting the Hospices de Beaune - the Site of the World's Most Famous Wine Auction with Savvy Mom Ruth Paget

Visiting the Hospices de Beaune - the Site of the World's Most Famous Wine Auction with Savvy Mom Ruth Paget 

Laurent and I wanted to go to Beaune, but wanted to take country roads to get there instead of the highway, so we could see more of the scenery.  We found ourselves following the Canal du Centre, which links the Mediterranean Sea and the Atlantic Ocean.  The Canal du Centre was opened in 1792.

Tranquil houses with cascading red geraniums lined our route along the Canal du Centre.  Men were out fishing.  A few canal trip boats were starting to wheel their way down the canal with tourists snapping photos.  We wheeled our way into Beaune and parked outside the ramparts, so we could walk into town.

We entered the world famous Hôtel Dieu, or Hospices de Beaune, and admired the ceramic tile roof of knotted geometric designs just as it opened.  We were able to visit the site with a map and audio, but the explanatory panels and labels inside were more than adequate for doing this I thought, but you had to be able to read French to understand them.

The Hospices de Beaune was founded in 1443 by Nicholas Rolin (1376 – 1462), Chancellor of Burgundy, and his wife Guigone de Salins (1403 – 1470), who held her own lands, property, and money.  The building itself is a museum now.  However, modern buildings and associated hospitals continue to provide medical services today.

Nicholas Rolin and Guigone de Salins chose to build a hospital to thank God for the bounty they had received on earth and to ask for their entry into heaven.  The portraits of the two that the Flemish artist Rogier van der Weyden (1403 – 1470) painted of them on the reverse side of his Last Judgment Altarpiece (1443 – 1451) shows them to be wearing simple, dark clothing.  Nicholas Rolin and Guigone de Salins appear to be consulting a Bible with fine drapes and furnishings to their backs.

After Nicholas Rolin’s death in 1462, Guigone de Salins managed the Hospices the Beaune.  The floor tiles in the Salle des Pôvres or Room of the Poor Ones honor the life and work of Nicholas Rolin and his wife Guigone de Salins.  Their heraldic shield of arms is a composite one.  The three golden keys on the right against a black background represent the Rolin family while the white tower against the black background represents the Salins family.

Their Hospices de Beaune has grown over time as other hospitals became associated with the Hospices de Beaune.  In November, the Hospices de Beaune holds a fundraising auction for the hospitals featuring wine from the region.  The auction is one of three social events of the season known as the Les Trois Glorieuses.

The auction for the Hospices de Beaune is the second of the Trois Glorieuses.  The other two events that make up the social season in Burgundy are the Paulée de Meursault and the banquet for the Confrérie des Chevaliers des Tastevin at Clos de Vougeot.  Workers and vineyard owners alike attend an upscale dinner at the Paulée while kings, queens, and the wealthy of the world attend the Trois Glorieuses event at the Clos de Vougeot.

With a few hours left for tourism, we decided to visit Cluny Abbey, that was the largest structure in Christendom until Saint Peter’s was built in Rome.

By Ruth Paget, Author of Eating Soup with Chopsticks and Marrying France

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Laurent Paget Photography

Laurent Paget Photography

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