Visiting the Forces Exhibit at the Contemporary Art Center of Virginia by Savvy Mom Ruth Paget
It was easy to indulge Florence in art exhibits in Virginia Beach. We took a brisk walk in Virginia Beach and then entered the Contemporary Art Center of Virginia.
They
had a neat exhibit called Forces: Art of the End of the 20th Century
about work with non-traditional materials called “Basic Life Forces” as the
brochure called it. The work Laurent
liked the best was called Russian Constructivism via Venice Beach 1994 by James
Ossi.
This
rectangular pane of glass spouted bubbles inside its sculptural framework. Florence, the bubble princess, tried bursting
the bubbles by reaching for the bubbles.
My
favorite exhibit was Bubis Vekris’s work called Split Particles of Rain,
1995. This work required you to enter a
darkened room. Red lights that looked
like cascading particles of rain fell down around you in this room.
This
rain exhibit led directly to Shu-Mia’s Holographic Floor, 1996. We amused ourselves by walking around and seeing
what emotion would be on a face popping up from the floor.
The
faces in the holographic floor were all Asian, which brought back the
prediction of my high school art history teacher, who said that “art will cross
all national, racial, and gender lines in the 21st century.” (Dr.
Cletie Tyler – Cass Technical High School Art History Teacher and later
Director of Art Instruction for Detroit Public Schools. Susan Rice was also one of my Art History
Teachers at Cass Tech.)
By
four, Florence’s favorite exhibit was an entire room dedicated to the three-dimensional
strobe light artwork called Mother May I? by Gregory Barsamain.
The
strobe light whirled away to the side of the room and hanging from the ceiling
in the center of the room was blue blob.
As
the strobe light turned, a green hand would reach in and out and take out a
ping-pong ball. We danced in the room to
the rhythm of the ping-pong ball.
Florence
also rolled on the ground and ran into Laurent and me. Then, we all got on the ground, crawling
around, laughing. Some serious art
lovers came by and left the room, making us laugh even more. We left, so they view the work.
Florence
was certainly developing a love for modern art that day.
Later
in the evening while I was sipping some Darjeeling tea, I thought of how
expensive it is to produce modern art.
Holograms
do not strike me as a cheap medium. Who
financed modern artists? You had to be
rich just to start out.
By
Ruth Pennington Paget, author of Eating Soup with Chopsticks and Marrying France
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